When something like this happens in India, we get thundering editorials from the New York Times, and a whole raft of OpEds about the lack of freedom of expression in India.
Or if that infamous video been withdrawn, the one that provoked riots in Libya and Egypt and that may have been part of the motivation for the attack on the American consulate in Benghazi in which four Americans actually lost their lives --- the howls of "censorship" would have been deafening.
But the following, oh, it is business as usual:
http://www.nytimes.com/2014/06/18/arts/music/met-opera-cancels-telecast-of-klinghoffer.html
Or if that infamous video been withdrawn, the one that provoked riots in Libya and Egypt and that may have been part of the motivation for the attack on the American consulate in Benghazi in which four Americans actually lost their lives --- the howls of "censorship" would have been deafening.
But the following, oh, it is business as usual:
http://www.nytimes.com/2014/06/18/arts/music/met-opera-cancels-telecast-of-klinghoffer.html
The Metropolitan Opera announced on Tuesday that it was canceling plans to simulcast John Adams’s “The Death of Klinghoffer” this fall to cinemas around the world, drawing praise from some Jewish groups who object to the opera, but laments from the work’s fans and a warning from its composer that the decision promotes “intolerance.”
The opera, considered one of Mr. Adams’s masterpieces, depicts the 1985 hijacking of the cruise ship Achille Lauro by members of the Palestine Liberation Front, and the killing of a disabled Jewish American passenger, Leon Klinghoffer. The work, which sought to give voice to Palestinians and Israelis, and hijackers as well as victims, has attracted controversy since its 1991 premiere. Some Jewish groups have questioned the Met’s plans to present it.
The Met decided to cancel its planned Nov. 15 Live in HD transmission of “Klinghoffer” to movie theaters and a radio broadcast after discussions with the Anti-Defamation League. The league praised the Met’s decision, saying that “while the opera itself is not anti-Semitic, there is a concern the opera could be used in foreign countries to stir up anti-Israel sentiments or as a vehicle to promote anti-Semitism.”
No comments:
Post a Comment